From 2000-2006, Cheek worked as a pianist/coach at the University of Michigan’s spring term vocal program in Sesto Fiorentino, Italy, serving the last two years as director of the program. He is also an associate faculty member of the University’s Center for Russian and East European Studies (CREES), and teaches a Czech Vocal Literature course for singers and pianists.
Cheek has performed recitals as a collaborative pianist in 15 countries on four continents, and has been heard on radio and television programs around the world. He is on the faculty of the Moravian Master Class, a summer program in Náměšt’ nad Oslavou, near Brno, Czech Republic, dedicated to the study of Czech art song and opera roles. In 2007 and 2008, he was the music director of the Studio Giovani vocal program at the Opera Theatre and Music Festival of Lucca, Italy. He has also worked as pianist/coach at the Steans Institute for Young Artists, Chicago; Michigan Opera Theatre, Detroit; Israel Vocal Arts Institute, Tel Aviv; Santa Fe Opera; Mozart Opera Studies Institute, Austria; Bay View Music Festival, Michigan; Bel Canto Northwest Vocal Institute, Portland, Oregon; and at various other programs, including the International Institute for Chamber Music, held in Munich, Germany, where, as a faculty member, he performed for five summers as master class pianist for Elly Ameling, Walter Berry, Thomas Grubb, and Jörg Demus. He has served as a guest coach at numerous schools and festivals around the world, such as the Eastman School of Music; Oberlin Conservatory; University of North Texas; Opera Nuova, Canada; Academy of Vocal Arts, Philadelphia; Cherubini Conservatory, Florence; Music Academy, Bratislava, Slovakia; Lawrence Conservatory, Wisconsin; Shenandoah Conservatory, Virginia; University of Cape Town/Cape Town Opera, South Africa; Notre Dame University; and many others.
For his book Singing in Czech, published in 2001, the journal Notes proclaimed: “Cheek sets a new and very welcome high standard for teaching lyric diction.” This standard continues with his educational DVD on Italian lyric diction, available in 2014. Utilizing computer animation, video, and audio recordings of renowned Italian baritone Alessandro Corbelli, and interviews with other Italian diction specialists Nico Castel, Donna Brunsma, Anna Toccafondi, David Adams, and Gildo di Nunzio, the DVD promises to supplement traditional approaches to learning Italian diction with a dynamic approach that the rhythmic, physical language of Italian calls for. Cheek is also the series editor for Scarecrow Press’s series of diction books on Greek, Polish, Brazilian Portuguese, and various other languages by a variety of authors.
Dr. Cheek holds a doctorate in collaborative piano and chamber music from the University of Michigan, where he studied with Martin Katz. He also holds degrees in piano performance from the Oberlin Conservatory of Music and from the University of Texas at Austin, where he studied with Gregory Allen. Cheek was the recipient of a Fulbright Award in 1990-91, studying as an opera coach apprentice at the Teatro Comunale in Florence, Italy under conductors Bruno Bartoletti, Gianandrea Gavazzeni, and Zubin Mehta.
Dr. Cheek has an affinity for Czech vocal music, founded on an internship at the National Theatre in Prague under the great Janáček conductor Bohumil Gregor. Cheek’s books Singing in Czech: A Guide to Czech Lyric Diction and Vocal Repertoire, with a foreword by Sir Charles Mackerras; a series on Janáček’s opera libretti; a book on Smetana’s The Bartered Bride; and his latest book on Dvořák’s Rusalka are recognized internationally as authoritative resources for singing in Czech, and have been utilized and praised by singers, conductors, coaches, and opera houses around the world. Cheek’s championing of the works of Czech female composer Vítězslava Kaprálová (1915–40) led to his performing several world premieres of her songs; to his recording of the complete songs of Kaprálová with celebrated Czech soprano Dana Burešová on Supraphon records, nominated for the best recording of 2003 by the Czech journal Harmonie, and acclaimed by numerous critics in journals such as Fanfare and BBC Music Magazine; to lecture/performances on the composer around the USA and in Europe; and to a critical edition of the songs of Kaprálová edited by Cheek for the Czech publisher Amos Editio in 2006. Cheek has served as the official pianist for the USA rounds of the International Czech & Slovak Voice Competition since 2003. In 2010, famed Czech composer Sylvie Bodorová composed her song cycle Jabloňový vlak [Apple train] for Cheek, soprano Laurie Lashbrook, and dancer Bohuslava Jelínková. The performers premiered the work in Sydney, Australia the same year. In 2012, Cheek performed works by Dvořák, Kaprálová, and Hoiby with bass-baritone Stephen Morscheck at the historic Rudolfinum, Prague, for an audience that included former Secretary of State Madeleine Albright, as part of celebrations between the USA and the Czech Republic of the presentation of the Masaryk-Wilson Award for Democracy and Freedom, and the rededication of a statue of Woodrow Wilson that had been destroyed by the Nazis. Cheek’s playing of Dvořák with the acclaimed men’s chorus Cantus was released in 2013 on their CD Song of a Czech.